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Architype Review Notable Projects
Architype Review finds inspiration in projects that somehow redefine our understanding of a certain type.  Through good design, these architects created smart and forward thinking solutions to the particular constraints or challenges presented by each project.  Grouped together by types, they provide a survey of innovation taking place at several different scales, promoted by both large and small firms. Presented here in the words and images of their own creative team, the following projects also offer an index of ideas and solutions as well as creative people and products within the industry.

 

01

United States Federal Building, San Francisco, California
mOrphosis

   

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Photography: © Roland Halbe Photography
Photography: © Nic Lehoux Photography
Photography: © Steve Proehl
Drawings: © mOrphosis

When architecture engages social, cultural, political, and ethical currents, it has the potential to transform the way we see the world and our place in it. It is from this intersection of broad societal currents that we approached the design for the new Federal Building in San Francisco. Our primary interest was to produce a performance-driven building that would fundamentally transform its urban surroundings, the nature of the workplace, and the experiences of the people who use it while making intelligent use of natural resources. For me, this project represents the epitome of an optimistic architecture; an architecture that synthesizes its complex forces and realities into a coherent whole. Thom Mayne

Building Description: The slender, 18-story, 240-foot tower creates a landmark for the City of San Francisco, while the four-story annex connects to the scale of the adjacent neighborhood. The large, open public plaza along with the shared public facilities, provide valuable assets to the community. In addition, the design redefines the culture of the workplace through office environments that boost workers’ health, productivity and creativity. A dramatic example of sustainable design principles, the building’s shape and orientation maximize natural airflow for cooling and ventilation, and take advantage of natural day light for the majority of the office interior. These features, combined with a number of other energy-saving elements, significantly reduce overall energy consumption compared to conventional commercial office buildings in the United States.

Building Materials: The San Francisco Federal Building incorporates building materials and construction strategies that minimize waste and energy consumption. The building minimizes pollution by replacing high proportions of Portland cement in its concrete foundations and frame. During the manufacturing process, Portland cement is associated with very high levels of greenhouse gas emissions. In the Federal Building’s concrete mixture, 50% of the pollution-intensive Portland cement is replaced with blast furnace slag, a recycled waste product from the steel industry, significantly reducing greenhouse gas emissions resulting from conventional concrete. This environmentally sound choice also results in higher-strength concrete and has a warm, light-colored tone that contributes to the favorable daylight penetration within the office space. The GSA mandated that 75 percent of materials used during construction be recycled. Currently, the project is recycling 87 percent of its waste material. Carpet, paint and furniture were carefully considered with respect to the project's sustainable goals.

Electrical: Lighting is typically the largest energy cost for an office building, representing up to 40 percent of a facility's total energy load. The new San Francisco Federal Building's lighting strategies improve the workplace and are a critical facet of this project's sustainable design. Approximately 85 percent of the workspace is illuminated with natural light. Ambient light, the general illumination in an office, comes from sunlight channeled through the windows and reflected off walls and ceilings to extend its reach with minimum glare and intensity. With an average overall ceiling height in the tower of 13 feet, natural daylight will penetrate deep into work spaces. Powered lights are also provided to supplement the natural light. Through simple sensors, the building's automated systems manage the balance between powered and natural daylight. The powered lights are on only when people are at their workstations. Together, these approaches reduce energy used for lighting by approximately 26 percent.

Work Environment: Several features support federal initiatives to promote health and improve productivity: the location of the cafeteria on street level across the plaza and the use of skip-stop elevators—elevators that stop at every third floor, opening onto soaring lobbies with wide, open stairs—promote cardiovascular fitness and reduce lost work hours. These lobbies and stairs, in addition to a sky garden and a 90-foot high entry lobby at street level, provide a comfortable setting for informal meetings and social interaction. A handicap accessible elevator that travels to every floor is also available. The tower's high ceilings and glass facades provide 85 percent of the building's tenants with views overlooking the city. The outer perimeter of the tower is configured with open offices and 52- inch-high workstation partitions, maximizing access to natural light. Fritted glass panels that enclose meeting rooms and offices located in the middle “spine” of the tower, provide both privacy and access to natural light.

Quality Control: Three independent systems are used to verify that the building is meeting energy conservation goals. Energy use will be monitored by the GSA Energy Center and compared with conventional federal buildings and the project's goals. To verify sustainability, the project is registered with the LEED program. The project team and the GSA's Office of Applied Science have allied with a number of academic researchers to verify workplace productivity strategies. Among them: Lawrence Berkeley National Laboratory, Carnegie Mellon University's Center for Building Performance and Diagnostics, and the University of California Berkeley, Center for the Built Environment.

more articles ….

 

Owner
U.S. General Services Administration

Lead Design Architect
mOrphosis

www.mOrphosis.net
Principal:
Thom Mayne, Registered Architect
Project Manager:
Tim Christ, Registered Architect
Project Architect:
Brandon Welling, Registered Architect
Project Team:
Linda Chung, Ben Damron, Simon Demeuse, Marty Doscher, Rolando Mendoza, Eui-Sung Yi
Project Assistants:
Caroline Barat, Gerald Bodziak, Crister Cantrell, Delphine Clemenson, Todd Curley, Alasdair Dixon, Haseb Faqirzada, Chris Fenton, Arthur de Ganay, Dwoyne Keith, Sohith Perera, Kristine Solberg, Natalia Traverso Caruana

Executive Architect
Smith Group, Inc.

www.smithgroup.com
Project Executive:
Carl Roehling, FAIA
Project Manager:
Carl Christiansen, AIA
Project Architect:
Jon Gherga, R.A.
Project Assistant:
Belinda Wong

Collaborative Artists
James Turrell, Ed Ruscha, Rupert Garcia, Hung Liu, Raymond Saunders, William Wiley

Engineers and Consultants
Structural and MEP:
Ove Arup and Partners
Civil:
Brian Kangas Foulk
Geotechnical:
Geomatrix
Construction Management:
Hunt Construction Group
Natural Ventilation Modeling:
Berkeley National Laboratory
Landscape:
Richard Haag Associates Inc. with J.J.R
Lighting:
HLB Lighting
Signage:
Kate Keating Assocs.
Cost Estimator:
Davis Langdon
Curtain Wall: CDC, Inc.
Blast Consultant:
Hinman Consulting Engineers
Code:
Rolf Jensen & Assocs.
Acoustics:
Thorburn Assocs.
Vertical Transportation:
Hesselberg, Keesee & Associates, Inc.

Contractor(s)
Dick Corporation / Morganti

Photographer(s)
© Steve Proehl

www.proehlstudios.com
© Nic Lehoux Photography
www.niclehoux.com
© Roland Halbe Photography
www.rolandhalbe.de

         
       
02
 

San Jose City Hall, San Jose, California
Richard Meier & Partners Architects LLP

   

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Photography:© Tim Griffith
Model Photo: © Josh White Photography
Drawings and Model: © Richard Meier & Partners Architects LLP

The San Jose City Hall and Civic Center is the new centerpiece of a seven block redevelopment district of new and existing buildings unified through streets, walkways, plazas, courtyards and fountains. Buildings in the surrounding district include a new performance hall, elementary school, rebuilt church, a joint library shared by the City and University and two public parking garages. The project comprises an eighteen story office building to house the City departments, the Council Chambers, a major civic rotunda, exterior plaza and below grade parking.

The main entrance is on Santa Clara Street through a sweeping public plaza.  The focal point of the plaza is a transparent domed entry serving as a visible symbol of the city government as well as the main project entry and lobby suitable to accommodate large public events such as speeches, concerts and exhibitions.  The curved wall defining the main plaza, together with the rotunda space, acts to unify all components of the facility.

The rotunda is complemented on the east side by the office tower, which houses city departments and the plaza level permit center, and on the west side by the three-story council wing, which houses the Council Chambers, public meeting rooms, retail spaces and additional departmental offices.  A grand staircase in the rotunda leads to the prominently located Council Chambers in the second floor council wing.  The chamber is also accessible along a walkway of exterior steps that follows the plan of the plaza wall.

Exterior finish materials include stone, metal panel, clear glass and concrete.  The thin building proportions are achieved with a unique dual structural system that utilizes concrete shear walls as “bookends” to provide lateral strength.  The ultra-thin proportions of the tower, combined with a west-facing brise soleil, support daylighting and natural ventilation throughout the building. The architecture of the civic center is unique and recognizable while maintaining the presence and importance of a City Hall. 

Text, Drawings and Model:
© Richard Meier & Partners Architects LLP

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Owner
City of San Jose Department of Public Works

Architect
Richard Meier & Partners Architects LLP

www.richardmeier.com
Principals in Charge:
Richard Meier, FAIA
Michael Palladino, AIA
James R. Crawford, AIA
Project  Architect:
Timothy Shea, AIA
Director of Interiors:
Richard K. Irving
Collaborators: Richard Stoner, Karen Bragg, Stuart Magruder, Michael Bessner, Rhonna Del Rio-Ascolese, David Chang, Steven Hyuk Chung, Tom Farrell, Shekar Ganti, Stefan Gould, Michael Gruber , Yunghee Kim, Willis Kusuma, Joongkee Lee, Kimberly Lenz, Aryan Omar, Nathan Urban, Mark Sparrowhawk

Associate Architect
Steinberg Architects

www.steinbergarchitects.com

Engineers and Consultants
Structural: Englekirk&Sabol Inc
Mechanical: Arup
Civil: CH2M HILL
Acoustic and AV: Shen Milsom & Wilke / Paoletti
Lighting: Fisher Marantz Stone
Landscape: Patricia O’Brien Landscape Architecture

Contractor(s)
Turner Devcon Joint Venture

Photographer(s)
© Tim Griffith

www.timgriffith.com
Model Photography:
©Josh White Photography

www.jwpictures.com

         
       
03
 

Speculative project for Boston City Hall, Boston, Massachusetts
Höweler + Yoon Architecture

   

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Drawings: © Höweler + Yoon Architecture

City Hall Version 2.0: Architectural Upgrades: An Open Menu for Public Interfaces
Originally designed to be porous and accessible to the public, Boston City Hall today stands monumental and impenetrable, its multiple entrances sealed. Focused on issues of public space and accessibility, our open menu of design proposals includes strategies that outfit City Hall with public interfaces at a range of scales. Taken a few at a time or in combination, these strategies recast the existing City Hall by intertwining its structure with the city. Extending the original vision of City Hall as a robust scaffold for urban life, two possible combinations—Sleeve and Wrap--seek to upgrade the structure to engage contemporary public life.

Sleeve plugs the existing “hood” and courtyard openings with a linear public path that weaves through the existing structure, provides a more transparent frontage along Congress Street, and culminates in a viewing gallery overlooking Faneuil Hall.

Wrap proposes a new ground plane that rises up to mask the existing structure;  this second skin accommodates new programs on the plaza and creates public access along a landscape ramp and around the existing structure via circulating catwalk elements.

Sky Live camouflages the existing City Hall building by cladding its most prominent facade - the underside- with an LED pixel net. The soffit screen broadcasts a live video feed of the sky above it, making it digitally disappear.

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Owner
Speculative project for the City of Boston ; Organized by Architecture Boston and the Boston Society of Architects

Design Architect
Höweler + Yoon Architecture

www.hyarchitecture.com
Project Team:
J. Meejin Yoon
Eric Höweler
Meredith Miller
Carl Solander
Teddy Huyck

Drawing(s)
All images courtesy of Höweler + Yoon Architecture
© Höweler + Yoon Architecture

         
       
04
 

Bronx County Hall of Justice, Bronx, NY
Rafael Viñoly Architects

   

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Photography: © Paul Warchol
Drawings: © Rafael Viñoly Architects

The image of the courthouse in society, particularly in the center of the Bronx was of primary concern in the planning of the building.  The project goal was to integrate the 775,000 SF building consisting of 47 court parts for the Supreme and Criminal Court, 7 Grand Jury rooms, space for the Department of Corrections, the Department of Probation, the Bronx District Attorney, contract agencies, and parking for 240 cars within the existing community.  Organized in a linear manner around an open civic space the program is layered from public to private, with the public circulation facing the open space and animated by a series of cantilevered stairs that augment the public elevator system.  Within the courtyard sets a 2 story freestanding cylindrical building that serves as the jury assembly room, gives scale to the large urban space and is the symbolic as well as formal focus of the project.

The exterior wall design responds to the various functions within and orientations of the building.  Its South and West facades screen the private circulation corridors and are designed to allow the penetration of daylight deep into the building. The curtainwall in this area takes the shape of a folded plane; this folded wall provides shadow, reflection, and physical depth.  It also allows for “light shelves” to be placed in the dimension of the folds.  These light shelves reflect daylight into the space and onto the angled reflective ceiling surfaces; they also shade the spaces directly adjacent to the glass wall, thus reducing heat gain and glare.  The aesthetic intent of these elevations is to expresses the building as open and un-intimidating.  This is achieved by not concealing the building functions behind a representational face, but by allowing the buildings’ program, structure and circulation to be viewed, providing a literal and metaphoric transparency of the judicial process.

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Owner                       
City of New York DCAS

Architect                 
Rafael Viñoly Architects

www.rvapc.com
Design Principal: Rafael Vinoly FAIA/JIA/SCA/Int FRIBA
Managing Principal: Jay Bargmann, AIA
Project Director: Fred Wilmers,AIA
Technical Director: Charles Blomberg, AIA
Project Manager: Scott Hollas, AIA
Project Manager: John Chu
Project Team: James Lancia, David Wong, Takeshi Miyakawa, Hiroshi Nakayama, John Kinnaird

Joint Venture Architect
DMJM Harris

www.dmjmharris.com

Engineers and Consultants
Structural: Ysrael A. Seinuk PC
MEP + FP: Flack + Kurtz
Civil: Leonard J. Strandberg & Assoc.
Landscape: Signe Nielsen
Lighting: Ann Kale Associates
Acoustical: Shen Milsom Wilke
Security: Systech Group
Vertical Transportation: VDA
Geotechnical:Mueser Rutledge Consulting Engineers
Protective Design: Weidlinger Associates
Signange and Graphics: Wojciechowski Design
Specifications: Robert Schwartz Associates
Envelope: Gordon H. Smith
.
Contractor(s)
Bovis Lend Lease, Hill Int.

Photographer(s)
© Paul Warchol
Paul Warchol Photography Inc.

www.warcholphotography.com

         
       
05
 

Vaughan Civic Centre, Vaughan, Ontario
Kuwabara Payne McKenna Blumberg Architects

   

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Drawings: © Kuwabara Payne McKenna Blumberg Architects

The winning scheme in a design competition, the new Vaughan Civic Centre will be located in the community of Maple within the City of Vaughan. Originally an agricultural area located at the northern edge of Metropolitan Toronto, Vaughan is in the process of making the transition from its rural past to an urban future. Since 1981 the town has grown from approximately 30,000 to 220,000, experiencing unprecedented growth and consequently replacing farmland with housing and big box retail. The intent of the new Civic Centre is to set a tone for environmentally responsible and civic-minded development in the 21st century.
Recognizing the City’s goal for future flexibility, one of the greatest challenges of the competition was to resolve the requirement for over 900 surface parking spaces which would have directly contradicted the City’s civic vision, consumed parkland, and visibly undermined the environmental statement of the City. The design concept challenged the original requirement, instead proposing a combination of short-term surface parking with substantial underground parking. The solution resulted in providing the necessary civic infrastructure to accommodate the long-term development goals for the site.
The design concept is based on the idea of cultivating a civic landscape. The diverse program encompassing 325,000 s.f. is broken down into various components to create a civic campus of low-rise structures that define a public terrain of open and enclosed spaces. The overall program includes the City Hall, the Chamber of Commerce, a Civic Tower, and a Public Library building. Landscape elements include the Civic Square, reflecting pool/skating rink, public gardens and naturalized park. To acknowledge the city’s agricultural heritage, the campus is laid out according to a series of east-west bands that reference the linear pattern of land cultivation that once characterized the region, as well as the larger framework of the concession grid. Formally, the scheme reinterprets civic typologies. The order of buildings is inspired by the clarity of Ontario town planning where City Hall, Civic Square, Market and Cenotaph define an identifiable civic precinct. The concept also draws from the tradition of the European square, or piazza, where architecture is used to define flexible central spaces for meeting, demonstration and celebration.

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Owner                                   
City of Vaughan

Architect
KPMB

www.kpmbarchitects.com
Design Principal:
Bruce Kuwabara
Supporting Partner:
Shirley Blumberg
Associate in Charge:
Goran Milosevic
Design / Project Architect:
Kevin Bridgman
Project Team:
Garth Zimmer, Andrea Macaroun, Artur Kobylanskim, George Bizios, Carla Munoz, Bill Colaco , Richard Wong, Safdar Abidi, Ramon Janer

Engineers and Consultants
Structural:
Halcrow Yolles Partnership Inc
Mechanical:
Stantec Consulting
Electrical:
Mulvey & Banani
Landscape:
Philips Farvaag Smallenberg
Civil:
Connestoga Rovers
Traffic and Municipal:

LEA Consulting Ltd.
LEED and Sustainability:
Stantec
Code:
Leber Rubes
Building Envelope:
Brook Van Dalen

Contractor(s)
Maystar General Contractors

Drawing(s)
© Kuwabara Payne McKenna Blumberg Architects

         
       
06
 

Seattle City Hall, Seattle, Washington
Bassetti Architects | Bohlin Cywinski Jackson– A Joint Venture

   

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Photography: © Nic Lehoux Photography
Drawings: © Bassetti Architects | Bohlin Cywinski Jackson– A Joint Venture

In the mid-1990s, the City of Seattle was faced with important decisions about its aging and seismically unsafe city government buildings. Renovation and retrofitting were found to be both too expensive and inefficient. Authorizing a 1999 master plan, city officials decided to consolidate city offices in a new Civic Center, a three-block development with City Hall as its focal point.
The City of Seattle set three criteria for the new home of city government: it should be open and welcoming to serve as a gathering place for citizens; it should exemplify sustainability and a respect for the environment; it should be permanent and lasting, serving its users for at least one hundred years. Seattle City Hall, through its cohesive and accessible approach, palette of natural materials, tectonic expression and sustainable building strategies, fulfills these goals and expresses the spirit of the Northwest in an elegant and urbane way.
The forms of the new city hall express the building’s two natures: the working institution is embodied by a seven-story executive tower, with the mayor’s office at top, while ceremonial and legislative aspects of city government find voice in the council chamber to the south. At the center of the composition stands the public realm, a soaring, skylit glass pavilion that welcomes visitors and offers a gathering place for direct interaction with city government.  A public glass bridge by artist James Carpenter spans from tower to chamber, overlooking the Civic Plaza and landscape beyond. The rounded, titanium-clad council chamber pierces the ceiling, a strong form visible throughout the precinct and the city beyond. While the stone of the tower’s eastern façade acknowledges the new Justice Center, its other faces are glass, an extension of the public pavilion that also encloses the chamber. This transparency is an expression of open government, most powerfully expressed by the curved glass of the tower’s southern façade. This arc gestures to the council chamber and the plaza’s cascade and stair, and enlivens public areas on every floor. The jewel-like quality of City Hall’s delicate glass structure will help it hold its own against neighboring skyscrapers, glowing by night to become a civic beacon for downtown.
The steep site was constrained along the west third of the block by the existing Municipal Building, which would remain in operation until completion of the new structure. Though a challenge, this requirement made room for the Civic Plaza to rise from the original building’s footprint, and brought the new city hall to the top of the block, creating a civic plateau in a terraced landscape that offers sweeping views of Puget Sound and the Olympic Mountains.
In addition to improved facilities and seismic resistance, the building also achieves a high standard of sustainability. Ample glazing required high-performance fritted glass at the west and south elevations, and horizontal sunscreens at the west elevation. Vertical glass sun-catchers to the north and light shelves to the west reflect early and late sunlight deep into offices. Beyond daylighting to reduce the need for artificial light, an under-floor air distribution system and solar panels also help to reduce energy consumption. Rainwater is harvested in an underground cistern for reuse in the building and the irrigation system, while a “green” roof made up of a layer of soil planted with grasses will retain Seattle’s abundant rainwater and release it slowly, reducing storm runoff and helping to insulate the lobby from cold and buffer it from heat. These are among the elements for which City Hall has received a Gold LEED rating by the U.S. Green Building Council.
Ultimately, the design of City Hall seeks to create a lasting place that evokes Seattle itself, a city known for its love and stewardship of the environment, its reputation for technological vision, and its participatory attitude toward civic government. It hopes to build upon this legacy and look to the future as a source of great community pride for generations to come.

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Owner
City of Seattle

Architect
Bassetti Architects | Bohlin Cywinski Jackson– A Joint Venture

www.bcj.com
www.bassettiarch.com
Principal for Design:
Peter Q. Bohlin, FAIA
Principal in Charge:
Jon C. Jackson, AIA
Project Manager:
Sergei Bischak, AIA
Managing Principal:
Marilyn Brockman, AIA
Project Manager:
Gregory Hepp, AIA
Project Architect:
Christian G. Evans, AIA
Project Team:
Team Members: Brett Dearing, John Jeffcott, Christine Lindinger, AIA, Darren Lloyd, William Loose, AIA, Todd Lynch, Kirt Neal, Michael O’Boyle, Joseph Patton, Michael Picard, Erin Rindall, Michael Thorpe

Engineer(s)
Structural:
KPFF Consulting Engineers
Civil:
SvR Design
M/P/FP:
Wood Harbinger
Electrical and AV:
Sparling, Inc.

Consultant(s)
Cost Estimating:
Davis Langdon
Lighting:
Fisher Marantz Stone
Landscape:
Gustafson Guthrie Nichol
Swift & Co.

Contractor(s)
Hoffman Construction Company

Photographer(s)
© Nic Lehoux Photography

www.niclehoux.com

 

         
       
07
 

Austin City Hall, Austin, Texas
Antoine Predock Architect PC

   

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Photography: © Timothy Hursley, The Arkansas Office
Drawings: © Antoine Predock Architect PC

The new City Hall and Public Plaza is located at the edge of the dynamic warehouse district on the shores of downtown’s lake.  The project is dominated by landscape and incorporates limestone, copper, glass, water and shade to create the city’s living room.  The 118,000 square feet houses several city departments along with the Mayor, City Manager, City Council offices, Council Chambers, and a café and city store along urban Second Street.
The warehouse district is rapidly being transformed into a tight grid of restaurants, nightspots, housing, and mid-rise office spaces.  City Hall mediates the city grid and the natural realm, terracing down from Second Street to the lake.  Terraces slide out of the building into the plaza analogous to the limestone overhangs, known as balcones, in the hill country surrounding the city.  The terraces are shaded with trees and have become prime locations for viewing the activities on the plaza and town lake beyond.
City Hall defeats the formality of the surrounding blocks by angling away from the adjacent streets and echoes the warm informality that characterizes the citizens.  These inflections from the urban perimeter create mini-plazas at all corners of the building and, most importantly, allow oblique views toward the lake from within offices and public circulation spaces.
A massive arcing Lueders Limestone wall, emerging from bedrock at the lowest level of the parking garage below, anchors the project to the site.  Morphing out of this wall is a limestone base that encloses the first two stories.  A scrim-like copper skin, resting on the limestone base and capped with a folded copper roof, shelters the upper levels.  As the arcing wall cuts through the building, it creates an open four-story lobby transected by catwalk-like bridges at each level.  A reflective copper ceiling over the lobby bounces light into the gathering space below.
The plaza winds its way around the limestone peninsulas of the terraced building.  Water runs through a group of monumental limestone boulders in the plaza to symbolically return to the lake through a vortex.  Amphitheater seating spilling down from the terraces can be used informally or to view performances on a limestone stage.  The amphitheater is protected from the sun by a photovoltaic glass trellis, supplying ten percent of the building’s power.  The environmentally intelligent approaches in this project earned it a LEED Gold Certification.

more articles ….

 

Owner
City of Austin              

Architect                                 
Antoine Predock Architect PC

www.predock.com                       Design Principal:
Antoine Predock
Project Manager:
Paul Fehlau

Associated Architect
Cotera + Reed

www.coterareed.com
Project Team:
Juan Cotera, Phillip Reed, Deb Ebersole

Engineer(s)
Structural:        
Datum Engineers, Inc.and PE Structural
MEP:
ACR Engineering Inc.  
Civil:
Urban Design Group                

Consultant(s)
Communications/Audio:           
Whitlock Group
Landscape:      
McKinney/Kelly JV Landscape Architects
   
Contractor(s)
Hensel Phelps Construction Company

Photographer(s)     
© Timothy Hursley, The Arkansas Office

         
       
08
 

United States Federal Courthouse, Austin, Texas
Mack Scogin Merrill Elam Architects

   

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Drawings:©Mack Scogin Merrill Elam Architects

Located in downtown Austin, the courthouse will occupy a full city block directly west of Republic Square Park. The square configuration of the site sponsors a highly compact, cubic building form. The stability of the cubic form exemplifies the strength, coherence and dignity of the judicial system. Floor plates approach a square configuration. A plinth forms a base holding the sidewalk-edge, providing anti-ram protection and addressing the scale of the park.

Level five marks the beginning of a rotated and interlocking courtroom distribution scheme. All floor to floor heights at the courtroom levels meet the ceiling height requirement for offices and chambers, with courtrooms attaining their required ceiling heights by penetrating the floor directly above. Like courtrooms are stacked affecting a rationally organized structural system and an efficient area to volume ratio. On each courts level, one district and one magistrate courtroom share a public space.The scheme demands a diagonal exchange of public space that takes advantage, like the courtrooms, of the double-height space. All courtrooms, jury deliberation rooms, chambers, public spaces and witness / attorney conference rooms are located at exterior surfaces where natural light is available.

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Owner 
General Services Administration

Design Architect
Mack Scogin Merrill Elam Architects

www.msmearch.com
Principal: Mack Scogin
Principal: Merrill Elam
Project Team: John Trefry, David Yocum, Barnum Tiller, Matthew Leach, Mathew Weaver, Barrett Feldman, Jane Lee, Stephen Trimble, Claudia Montesinos, Misty Boykin, Michael Filisky, Jeffrey Kemp, Anja Turowski, Andrea Kavouklis, Jeremy Magner, Ted Paxton, Helen Han, Brian Bell, Dennis Sintic, Jennifer Hurst, Ashley Moore, Margaret Fletcher

Engineers and Consultants
Structural: AEC
MEP /Civil: Page Southerland Page
Landscape: Hargreaves Assocs.
Lighting Designer: Lam Partners
Acoustical: Shen Milsom and Wilke
Vertical Transport: Lerch Bates
Blast: Hinman Consulting Engineers
Life Safety: Rolf Jensen Assocs.
Curtainwall: CDC
Architectural Concrete:
Architectural Concrete Associates
Costing: Heery International
Construction: Jacobs Facilities Inc.

Drawings(s)
© Mack Scogin Merrill Elam

         
       
09
 

Sustainable and Innovative Solutions: Civic Buildings
Selected Product

   
       

 

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Energy Efficient Glazing
read more on products page...

Modular Green Roof Systems
read more on products page...

Energy Efficient Glazing by
Viracon
www.viracon.com

Shading Systems supplied by
CS GROUP
www.c-sgroup.com

GreenGrid® supplied by
Weston Solutions, Inc.
www.greengridroofs.com

         

Energy Efficient Lighting
read more on products page...

Sustainably Harvested
read more on products page...
Solar Electric Power
read more on products page...

iGEN solutions supplied by
Lightolier
www.canlyte.com

Wood Ceilings supplied by
9WOOD
www.9wood.com

EnergyMax Commercial
Systems by BP Solar
www.bpsolar.us

 

   
10

Additional Resources: Civic Buildings
Click images below for additional information

   

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Public
Toilet Design

 

Building
Diplomacy

 

Building Type
Basics for
Justice Facilities


 

Celebrating the
Courthouse

Morphosis
Volume IV

 

 

Richard Meier:
Recent Works

 

Environmental
Design of
Urban Buildings

 

High-Performance
Building