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Performing
Arts Centers

 

 
03
North American

Alice Tully Hall
Lincoln Center for the Performing Arts, New York, NY
Diller Scofidio + Renfro in collaboration with FxFowle Architects

 

Credits
Drawings

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Jaffe Holden

Fetzer Architectural Woodwork

3form

Credits:

Project Location:
Lincoln Center for the Performing Arts
New York City, NY

Owner:
Lincoln Center for the Performing Arts

Design Architect:
Diller Scofidio + Renfro

Principals:
Elizabeth Diller, Ricardo Scofidio, Charles Renfro
Project Leaders:
Ben Gilmartin, Anthony Saby, Robert Condon, Gerard Sullivan
Project Team:
Kevin Rice, Rainer Hehl, Frank Gesualdi, Filip Tejchman, Gaspar Libedinski, Shawn Mackinnon, Chiara Baccarini, Stefan Gruber, Michael Hundsnurscher, Krists Karlins, Mateo Antonio de Cardenas, Ben Mickus, Josh Uhl, Eric Höwler, Felipe Ferrer, Sebastian Guivernau

Featured Vendor:
3Form

Associated Architect:
FxFowle Architects
Principal in Charge
Sylvia Smith
Project Director:

Heidi Blau
Project architects:
Peter Pesce, Ronald Gable, Mark Nusbaum, Heng Choong Leong, Douglas Muir
Project Team:
Zen Chen, Lisa Cheung, Aaron Dai, David Glick, Theresa Genovese, Adam Griff, Surawat Hant, Rod Hammer, Ben Ives, Paul Kim, Brenda May, Steve Melke, Colin Montoute, Craig Morton, Pedro Pachano, Raphael Pereira, Dan Piselli, Krishna Rao, Anthony Saby, Michael Sanchez, Monika Sarac, Catherine Selby, Tim Sudweeks, Michael Syracuse, Eric Van Der Sluys, Conrad Talley, Andrew Varela, Raquel Vasallo, Jeff Yu, Lauren Zailyk

Engineers:
Structural / MEP:
155 Avenue of the Americas,
New York, NY 10013

Consultants:
Lighting:
L’Observatoire International
295 Lafayette Street, Suite 915, New York, NY 10012
Acoustics:
JaffeHolden Acoustics, 114-A Washington Street, Nrowalk, CT 06854
JaffeHolden’s Profile Page and Interview on Alice Tully
Theater:
Fisher Dachs Associates, 22 West 19th Street, 6th fl, New York, NY 10011
Theater Woodwork:
Fetzer Architectural Woodwork
6223 West Double Eagle Circle, Salt lake City, UT 84118
View Fetzer’s Profile Page and Interview on Alice Tully
Curtain Wall:
R.A. Heintges & Associates, 126 Fifth Avenue, 9th fl, New York, NY 10011
LED Lighting:
Encore/ Color Kinetics, 57-10 49th Place, Maspeth, NY 11378
Data/Telecom:
Shen Milsom Wilkie, 417 Fifth Avenue, New York, NY 10016
BIM:
Gehry Technologies, 122 Husdon Street, 5th fl, New York, NY 10013
Graphics:
2x4, Inc., 180 Varick Street, 9th fl, New York, NY 10014

Contractor:
Turner Construction Co
375 Hudson Street, New York, NY 10014

Photographer:
Iwan Baan
Donna Pallotta

 
Photos by: Donna Pallotta
 
  The redesign of Alice Tully Hall transforms the 1,100 seat venue from a good multi-purpose hall into a premiere chamber music venue with street identity and upgraded functionality for all performance needs. A shear one-way cable net glass façade puts the hall on display. A commonly held opinion about the hall interior is that it lacks intimacy. For the redesign, “intimacy” is interpreted as both an acoustic and visual pursuit. A partial box-in-box construction isolates the hall from the vibration from the 7th Avenue subway and a new high performance inner liner is acoustically engineered to distribute sound evenly throughout the house. The liner of African moabi is tailored around all existing hall features and new programmatic elements, eliminating all visual noise that distracts the audience from the performance. Illumination emerges from the wood skin much the way a bioluminescent marine organism exudes an internal glow. The wood liner is constructed of translucent custom-molded resin panels surfaced in veneer to match and blend seamlessly with the wood, binding the house and stage with light. Like the raising of a chandelier or the parting of a curtain signaling the start of performance, the blush will be part of the performance choreography.  
     
  old new china performing arts  
 
Photos by: Iwan Baan
   
 

After 50 years in existence, the Lincoln Center campus was in need of an update both physically and philosophically. Rather than oppose the architectural strategies of the existing modern buildings, our design reinterprets the genetic code of the campus into a language that can speak to a diverse audience after several generations of social and political change. The redesign is intended to turn the campus inside out by extending the spectacle within the performance halls into the mute public spaces between the halls and into the surrounding streets. Through strategic architectural updates, the entire campus will have a radically new identity without sacrificing the qualities that have made Lincoln Center an international icon and symbol of New York.

   
       
  performing arts, cafe, stage, glass wall    
 
Photos by: Iwan Baan
   
 

Alice Tully Hall and its public spaces occupy the ground floor of Pietro Belluschi’s Juilliard School building. Tucked under the Juilliard School, the opaque base of Pietro Belluschi’s building is stripped away to reveal the hall’s outer shell. The sloped underside of Juilliard’s expansion serves as the canopy framing the hall, its expanded lobby and box office.

   
       















reflective glass wall  

 

 

Photos by: Iwan Baan

One of the primary reasons for the overall renovations at Lincoln Center stemmed from the need to update and reduce energy consumption across the campus. The Central Mechanical Plant, which serves all 11 venues and 10,000 people on campus, was completely rebuilt and upgraded to 21st century technology providing substantial increases in efficiency. The renovation has already been awarded The Platinum Award for Engineering Excellence in recognition of its environmentally sensitive design. Other sustainable design strategies include the green roof lawn on the Hypar restaurant; high performance exterior wall systems across the campus; radiant heat and cooling systems at Alice Tully Hall; FSC certified wood products throughout, and integral sun shading on exposed glass surfaces.

 

 
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Alice Tully Hall Drawings
Plan
Plan, Detail
Section

 

  Alice Tully Hall, Plan    
     
     
  Alice Tully Hall, Plan Detail    
     
     
  Alice Tully Hall, Section A-A    

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